Listen to the track here:
The Hot Sardines make their debut in London this fall at the London Jazz Festival November 15, 2014. Due to an early sell-out of seats and what organizers are calling “phenomenal demand,” a second show has been added that evening.
The Sardines will play at the Southbank Centre’s Queen Elizabeth Hal, in the Purcell Room.
Tickets may be purchased for the 10pm show at http://www.efglondonjazzfestival.org.uk.
For Immediate Release
THE HOT SARDINES REINVENT HOT JAZZ FOR THE 21ST CENTURY
WITH GLAMOUR, GRIT AND PASSION
SELF-TITLED DEBUT ALBUM SET FOR RELEASE ON OCTOBER 7TH
ON DECCA/UNIVERSAL MUSIC CLASSICS
“a sound and style that are distinctly their own” Vanity Fair
“one of the best jazz bands in New York City today” Forbes
“unforgettably wild… consistently electrifying” Popmatters.com
July 31, 2014 — (New York, NY) — The Hot Sardines unleash their distinctly passionate, dazzling and inventive sound with their self-titled debut album to be released in the U.S. October 7th on Decca/Universal Music Classics. The electrifying record, produced by Eli Wolf (Norah Jones, Elvis Costello & The Roots, Al Green), features both early jazz classics and original new Sardine compositions. Their album launch marks a defining moment in the Sardines’ evolution, which started as a slow burn fueled by a shared passion for music from another era, and escalated as the band’s performances ignited the same passion in audiences all over the world.
Bandleader and pianist Evan “Bibs” Palazzo and lead singer Miz Elizabeth combine with the Sardine ensemble of powerhouse musicians – and their very own tap dancer – to play hot jazz as it was in the era when live music was king. The outfit encompasses a blustery brass lineup, a rhythm section led by a stride-piano virtuoso in the Fats Waller vein, and Miz Elizabeth’s vocalizing in both English and French, with a voice that harkens back to another era yet feels refreshingly modern. The brainchild of Bibs and Miz Elizabeth, the Sardine sound fuses musical influences from New York, Paris, and New Orleans that were nurtured from the Prohibition era through the Great Depression, WWII and beyond. Other key members of the Sardine ensemble featured on the album include Jason Prover (trumpet), Joe McDonough (trombone), Nick Myers (tenor saxophone, clarinet, flute), Sam Raderman (guitar, banjo), Evan “Sugar” Crane (bass, sousaphone), Alex Raderman (drums, percussion) and “Fast Eddy” Francisco (tap dancing).
“Greats like Fats Waller, Louis Armstrong, Thelonious Monk, Django Reinhardt, Count Basie, Fred Astaire, Mamie Smith, Billie Holiday, the Andrews Sisters, Ray Charles and a full-on melting pot of musicians both iconic and obscure have influenced our style and song interpretation,” says Miz Elizabeth, who helps fuel the Sardine mission to transform songs from another era into pop music for this century. Bibs shares that passion, and together they manage the delicate balance of showcasing old songs – some of them penned nearly a century ago – without being an “old-timey band.” Says Bibs, “We don’t treat this music with kid gloves, or place it on a pedestal to play it exactly as it was…We just play it…as if these songs were written this morning, for today’s generation.”
The first single and video from the album is the upbeat and infectious “Bei Mir Bist Du Schoen,” (“To Me You’re Beautiful”), originally made popular by the Andrews Sisters and ironically recorded for the Decca label in 1937. Other highlights on the album include the ballads “Wake Up In Paris” (a string-drenched valentine Miz Elizabeth penned to her hometown) and Sidney Bechet’s “Petite Fleur,” the fast-paced, calypso-flavored version of “What a Little Moonlight Can Do,” and raucous renditions of “Zazou (Sweet Sue)” and the witty “Your Feet’s Too Big,” a hat-tip to the band’s love of Fats Waller.
The irony of the Hot Sardines’ success is rooted in its origins: it was started by two non-musicians who never set out to form a band. Miz Elizabeth, who grew up living in several countries including France, Canada, and the Ivory Coast, sports a Masters Degree from the London School of Economics and spent her pre-Sardine life as a workaday Jane, creating web content and writing. Evan, born and raised in NYC, started playing piano by ear at age 3 and has flirted with amateur musicianship his whole life. His early education in the Waldorf Schools led him to major in theater and musical theater at the University of the Arts in Philadelphia. He became a working actor earning his living doing theater, commercials, and production work on films. Frustrated with their career choices, they each were seeking a creative outlet. Then came the fateful day in 2007 when they both answered the same Craigslist ad for an open jazz jam in midtown Manhattan. Miz Elizabeth, who slipped out of her company holiday party at AOL Time Warner to be there, says that, “when Bibs and I met, it was like an instant musical connection.” Slowly over time, the band began to take shape.
The Hot Sardines have sold out 15 straight shows during their residency at New York City’s famed Joe’s Pub, and showcased their versatility by performing to eager audiences at venues as diverse as André Balazs’ Top of the Standard (Boom Boom Room) in New York City, the Montreal Jazz Festival, the playfully-naughty underground speakeasy experience Shanghai Mermaid, and Symphony Hall in Boston, where they recently performed to sold-out audiences in collaboration with the Boston Pops. The Sardines embark on a 50+ city U.S. tour in October.
1. Bei Mir Bist Du Schoen
2. Goin’ Crazy With The Blues
3. Wake Up In Paris
4. Zazou (Sweet Sue)
5. I Can’t Give You Anything But Love
6. Your Feet’s Too Big
7. Honeysuckle Rose
8. Petite Fleur
9. What A Little Moonlight Can Do
10. Let’s Go
11. I Don’t Stand A Ghost Of A Chance (With You)
Arranger Bill Elliott created arrangements of Hot Sardines songs for the 81-piece Boston Pops, which we premiered at Boston’s Symphony Hall May 28-30 to nearly 5,000 people. Keith Lockhart even got down on the ground with us during Bei Mir Bist du Schoen. Good times.
The Boston Globe’s Marc Hirsh had kind things to say — calling out our “…period songs with a hint of post-modern self-awareness (and) a tremendous amount of verve and genuine affection” and our new tune “Wake Up in Paris” — as did Keith Powers at the Patriot Ledger.